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Musicke's handmaiden, by E. A. Bowles |
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From musical ideas to computers and back, by H. Brün |
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Ethics and esthetics of computer composition, by G. Strang |
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Music composed with computers, by L. Hiller |
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MUSPEC, by J. P. Citron |
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Webern's use of motive, by M. E. Fiore |
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Toward a theory of Webernian harmony, by R. Fuller |
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Harmony before and after 1910, by R. Jackson |
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Permutations of a twelve-tone row, by G. Lefkoff |
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Programs involving numerically related tones, by I. Morton and J. Lofstedt |
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Possibilities for equally tempered systems, by W. Stoney |
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Root progression and composer identification, by J. Youngblood |
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Analysis of Javanese music, by F. Lieberman |
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Computer-oriented comparative musicology, by B. Suchoff |
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Numerical methods of comparing musical styles, by F. Crane and J. Fiehler |
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Style analysis by computer, by A. J. Gabura |
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Toward a French chanson catalog, by B. Hudson |
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Transcription of tablature to standard notation, by W. Earle Hultberg |
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Melodic borrowings among organa dupla, by T. Karp |
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MIR, a simple programming language, by M. Kassler |
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Automated catalog for scores and phonorecords, by J. W. Tanno, A. G. Lynn, and R. E. Roberson |
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Musicke's handmaiden, by E. A. Bowles |
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From musical ideas to computers and back, by H. Brün |
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Ethics and esthetics of computer composition, by G. Strang |
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図書
